Eclectisms

Eclectic musings from the electric plane.
May 21 '08
Beautiful Japanese design…Here’s a little bio on the creators:                      Isamu Kenmochi and Isamu Noguchi first met at the architect                      Kenzo Tange’s office at Tokyo University June 24th, 1950.                      From August of that same year, Noguchi spent approximately                      two weeks at the Industrial Arts Research Institute in Tokyo                      where Kenmochi was serving as a technical officer. The two                      Isamus shared a similar mission: to create and design a universally                      exceptional object, something with an intrinsic beauty of                      simplicity that is grounded in the knowledge of natural materials                      but also combined with a vision and embrace of experimental                      techniques and materials. Based in Japanese traditions of                      design, they both understood that this shared mission needed                      to go beyond the mere exotic.                     One of Kenmochi’s and Noguchi’s many collaborations resulted                      in a strikingly original woven bamboo chair made in 1950.                      This actual chair is no longer extant but will be recreated                      for the purpose of this exhibition. It is a classical sculptural                      form of texture and beauty as well as representing a technical                      accomplishment, distilling the natural elasticity and strength                      of bamboo with the durability and efficiency of iron. Together                      these two artists and designers made a chair that created                      a sense of lightness in modern design with a charm of warm,                      seemingly traditional tactility.

Beautiful Japanese design…

Here’s a little bio on the creators:

Isamu Kenmochi and Isamu Noguchi first met at the architect Kenzo Tange’s office at Tokyo University June 24th, 1950. From August of that same year, Noguchi spent approximately two weeks at the Industrial Arts Research Institute in Tokyo where Kenmochi was serving as a technical officer. The two Isamus shared a similar mission: to create and design a universally exceptional object, something with an intrinsic beauty of simplicity that is grounded in the knowledge of natural materials but also combined with a vision and embrace of experimental techniques and materials. Based in Japanese traditions of design, they both understood that this shared mission needed to go beyond the mere exotic.

One of Kenmochi’s and Noguchi’s many collaborations resulted in a strikingly original woven bamboo chair made in 1950. This actual chair is no longer extant but will be recreated for the purpose of this exhibition. It is a classical sculptural form of texture and beauty as well as representing a technical accomplishment, distilling the natural elasticity and strength of bamboo with the durability and efficiency of iron. Together these two artists and designers made a chair that created a sense of lightness in modern design with a charm of warm, seemingly traditional tactility.

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